About The Song
Few voices in country music carry the weight of lived experience quite like Gene Watson’s, and when paired with the luminous talent of Rhonda Vincent, the result is nothing short of magical. Their 1993 duet, I’ve Got One of Those Too, from Watson’s album Outside the Box, is a heartfelt ode to shared heartache and quiet resilience. This classic country ballad, steeped in the genre’s tradition of honest storytelling, speaks directly to the soul of those who have weathered life’s emotional tides. For mature listeners who hold dear the warmth of 1990s country, this song is a nostalgic treasure, offering a moment to reflect on the universal threads that connect us through love and loss.
The song opens with a tender acoustic strum, setting a contemplative mood that draws listeners in like a fireside chat. Watson’s rich, weathered baritone, a hallmark of his decades-long career, conveys a depth of feeling that is both comforting and profound. Rhonda Vincent, with her clear, emotive soprano, adds a layer of grace, her harmonies intertwining with Watson’s lead to create a seamless vocal blend. Together, they evoke the intimacy of two friends sharing stories of past loves over a cup of coffee. For those who recall Watson’s timeless hits like Fourteen Carat Mind or Vincent’s bluegrass triumphs, this collaboration feels like a warm reunion with trusted musical companions.
Lyrically, I’ve Got One of Those Too is a poignant exploration of the lingering marks left by love. Penned by Donnie Skaggs and Michael White, the song centers on the metaphor of a “little white circle where your ring used to be,” a subtle yet powerful image of absence and memory. The verses trace the quiet pain of moving on, with lines like “That feeling you get when you’re all by yourself” capturing the ache of solitude. The chorus, sung in unison, offers solace in shared experience: “I’ve got one of those too / That old flame is dying but the burning ain’t through.” These words resonate deeply with older audiences, who may see their own journeys reflected in the song’s gentle wisdom, finding comfort in the idea that no one carries their burdens alone.
Musically, the track is a model of traditional country restraint. Produced by Dirk Johnson, the arrangement features delicate fiddle lines and a soft pedal steel that underscore the song’s emotional core without overpowering it. The waltz-like tempo lends a soothing rhythm, inviting listeners to sway along as the melody unfolds. This simplicity allows Watson and Vincent’s voices to take center stage, their interplay showcasing the kind of chemistry that only comes from true musical kinship. The song’s placement on Outside the Box, an album that also features collaborations with icons like Merle Haggard, underscores Watson’s dedication to preserving the heart of country music while embracing new voices.
For those who have followed Watson’s career—from his Texas honky-tonk roots to his revered status as a Grand Ole Opry member—this duet is a testament to his enduring artistry. Vincent, a trailblazer in bluegrass and country, brings her own legacy to the table, making this a meeting of two storytellers at the height of their craft. Whether you first heard I’ve Got One of Those Too on a 1993 radio broadcast or are encountering it now, the song invites you to pause and reflect. It’s a reminder that country music, at its best, is a mirror for life’s triumphs and trials, offering solace through its melodies and the shared truths they carry.