About The Song
“(She Calls Herself) St. Matthew” is a fascinating piece within The Monkees’ catalog, primarily known as a Michael Nesmith composition that remained unreleased during the band’s initial run. It finally saw the light of day on the Missing Links Volume 2 compilation in 1990. This song stands apart from their more bubblegum pop hits, showcasing Nesmith’s distinctive songwriting style, which often incorporated country, folk, and more introspective themes.
The song’s title and lyrics immediately create a sense of mystery. The phrase “(She Calls Herself) St. Matthew” evokes religious imagery and a sense of someone adopting a persona or perhaps seeking a form of redemption. The lyrics themselves are poetic and somewhat enigmatic, filled with evocative imagery and metaphorical language. Lines like “She walks around on brass rings that never touch her feet” and “She speaks in conversations that never are complete” create a sense of a character who is both elusive and intriguing.
There’s been much speculation about the meaning of “(She Calls Herself) St. Matthew.” Some interpretations suggest it’s a commentary on the fleeting nature of fame or perhaps a reflection on the search for identity. Nesmith himself has hinted that the song was inspired by Bob Dylan, with lyrical references to Dylan’s “She Belongs to Me.” This connection adds another layer of complexity to the song, as it invites listeners to consider the influence of one iconic artist on another.
Musically, “(She Calls Herself) St. Matthew” has a distinct sound that sets it apart from The Monkees’ more commercially oriented tracks. It features a more stripped-down arrangement, with a focus on acoustic instruments and a more melancholic melody. This musical backdrop perfectly complements the song’s introspective lyrics, creating a mood that is both haunting and beautiful.
What makes “(She Calls Herself) St. Matthew” particularly interesting is its status as an outtake. The fact that it wasn’t released during The Monkees’ initial heyday gives it a certain mystique. It’s a glimpse into the band’s creative process and a reminder that there was more to their music than just the hits that topped the charts. It showcases Nesmith’s songwriting talent and his willingness to explore more complex and personal themes.
In conclusion, The Monkees’ “(She Calls Herself) St. Matthew” is a hidden gem in their discography, a song that rewards repeated listens and invites interpretation. It’s a testament to Michael Nesmith’s unique songwriting vision and a reminder that The Monkees were capable of creating music that was both catchy and thought-provoking. It’s a song that continues to resonate with fans who appreciate the band’s deeper cuts and the artistry of Michael Nesmith.